![]() ![]() By this point the so-called ‘awesome button’ - that lets you perform running hurricanranas and dropkick yourself behind the wheels of vehicles - is more of an ‘alright button’, the feeling of dissociation rising in direct relation to the ludicrous spectacle. The more self-consciously weird it gets, the easier it is to lose interest. And there’s an absolutely ripping Disney-esq musical number halfway through.Īlas, the expansion suffers from the problems of its predecessors. There are cameos from historic tossers, like Vlad the Impaler whose castle has become a haven for frat parties while he serves time in a penitentiary, and Shakespeare who DJs for a club called The Tempest after selling his soul for fame on Earth. There are billboards along Hell’s highway, stating, ‘You blew it. Despite its unwelcoming vibe, the setting has character. After all, Saints Row long ago prioritised being a comedy game above, say, a game which makes a lick of sense (see President getting sucked into Hell through a possessed ouija board). ![]() Still, the gags deliver, and that’s the main thing. ![]()
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